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rheim alkadhi | ريم القاضي

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A lark’s view of West Baghdad

July 10, 2007 by picturesclerk

 
 
This neighborhood was one child’s universe: the home, the friend’s house, the grade school, the paths traversed in-between.
 
b-w1.jpg
 
 
I still find it difficult to grasp that I see my old house again only thanks to satelite technology honing in on a warzone. The picture presents a future unimagined; you can’t see it here but the neighborhood was under development as I busily explored unbuilt houses and kicked up dust from the road in my wooden-heeled boots (a fashion for young girls) — so much yet to be.
 
But “yet to be” would translate to decade after decade of counter-development, the sacrificing of regional alliances, the depletion of dignity, so-called brain drain, and the ire of the world.
 
On a very personal level, this is where the creative impulse was initiated. I was on and off the grid, making believe with bits of detritis, testing the extent of my imagination with bricks and rocks from the various construction zones. Language got me around the neighborhood, smells and sights were subtitled in my head.
 

 

 

 

 

 

 

 

 

 

 

Posted in 1970's, flying, home, nostalgia, research |

  • Inventory of Work 2007-2010

    • She walked away.
    • Disproportion is being built.
    • Inner ear complex (with private chamber).
    • Auto mechanic with car.
    • The weather is ruined.
    • The mud theatre.
    • I don’t want to breathe.
    • The project and the departure.
    • Experimental observatory.
    • Mosque architecture on forest outskirts.
    • The forest.
    • Introducing the undertaker.
    • The back of the photo.
    • Concrete road blocks.
    • Tour of the camp.
    • Woman in winter wetlands, Diwaniyah.
    • Grid with line.
    • Following you.
    • The passage, as bent by night.
    • He lived as a woman.
    • We are led to where the buried heart stirs dust.
    • Lucky today.
    • Society of estranged lovers.
    • Young women sleep here.
    • Words are used for profit.
    • Base reality.
    • She steadies herself after a shock.
    • A’amiriya, it was morning.
    • Raw materials.
    • Perspectival experiment.
    • So and so street, at such and such a time.
    • The hand of a woman dressed as a man.
    • Explosion from the perspective of a bird.
    • Concealed wall texts.
    • Aesthetic theory.
    • Desire is a place name.
    • Word search.
    • The night and your withdrawal.
    • Body restless, climate a question.
    • Tactics of the observer.
    • Among them, young women dressed as men.
    • Measuring a grain of rice.
    • Harvest (cotton).
    • I slept in my master’s house (printmaking workshop).
    • Hand puppet.
    • Signs of conflict.
    • A hunger.
    • Reviving the unconscious body.
    • Desire is asymmetrical.
    • Here at the center of the universe.
    • A remarkable day.
    • Excavation today.
    • نصف و نصف
    • Bodies walk in opposite directions.
    • The mouth last seen.
    • Critique of poetic delay.
    • Posting on a bulletin board.
    • Table of contents.
    • News story.
    • The hungers of lovers.
    • Portrait of Gaza as a young girl.
    • Gaza in the context of photographic disintegration.
    • Endurance test.
    • Exhibitionist’s hunger satisfied by “senseless crime.”
    • The Six-Minus-Two Express.
    • Exhibition today.
    • Love inside the Ministry of Poverty.
    • Founding daughters.
    • Scale model.
    • View from the ground, and again while standing.
    • Future music.
    • Baghdad garden revisited.
    • Tired.
    • Girl seated on Iraqi textile.
    • Tired.
    • Things are out of place!
    • Signs of love.
    • Military state, military conscience.
    • The word and its meaning.
    • On the outskirts, a hidden pocket.
    • Young woman dressed as a man.
    • As promised.
    • Birth of the mouth.
    • Contemplation of Action.
    • Inside at the Woman Club.
    • Two happenings.
    • Urban desire.
    • Corporeal labyrinth.
    • The spectacle.
    • The audience.
    • It and I.
    • I am the muezzin.
    • Dance floor redux.
    • Friendship iconography: four friends.
    • Deceased again.
    • Sublime ahistorical experience.
    • Her housework, her cows, her dog.
    • march of the body
    • Incident in a date palm forest.
    • Pigment (recipe)
    • laser tattoo removal
    • Arab mirror.
    • The question lingers…
    • (a cough emits from the loudspeakers)
    • “Average 45 sticks”
    • Spontaneous dance in a Baghdad garden
    • Birds feed me the elements of intonation
    • Goat
    • Perspectival pyramid
    • One mocks you, the other weeps for you.
    • Four performances, performed vertically.
    • fastenings of a laborer
    • Long live the artists at three o’clock.
    • Comment trouvez-vous l’oeil de cette femme arabe!!
    • Portrait of a book
    • Occupied / Unoccupied
    • In order to draw light upon it.
    • Casualties.
    • I live between two shoulders.
    • At a very tame gathering of guests
    • Baghdad’s garden visited by New England
    • Experimental Workshop [flier]
    • Experimental Dance
    • Visual comparison
    • Retinal scans from the pre/occupied.
    • A lark’s view of West Baghdad
    • Subtitles for Stolen Pictures

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