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rheim alkadhi | ريم القاضي

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Baghdad garden revisited.

October 13, 2008 by picturesclerk

 

This is my back yard. Please come in.

Have a seat on my mat (take off your shoes!), would you like some refreshment? It’s really no trouble.

Wait here while I fly in this direction; this is where I keep my eggs. Do you like eggs?

You think it’s strange that I’ve become a creature of earth and gravity? I don’t fly at high altitudes anymore, fearing for my life. I prefer to stay in the enclosed yard of this empty house. There are no cats, strangely (they seem to be of another era). I commune with ants and will frequently chase a fly for exercise.
 

Ah, the military — I can hear them at the front of the house. They’ve come for you. Here, quickly: climb over this wall. It was nice visiting with you.
 

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  • Inventory of Work 2007-2010

    • She walked away.
    • Disproportion is being built.
    • Inner ear complex (with private chamber).
    • Auto mechanic with car.
    • The weather is ruined.
    • The mud theatre.
    • I don’t want to breathe.
    • The project and the departure.
    • Experimental observatory.
    • Mosque architecture on forest outskirts.
    • The forest.
    • Introducing the undertaker.
    • The back of the photo.
    • Concrete road blocks.
    • Tour of the camp.
    • Woman in winter wetlands, Diwaniyah.
    • Grid with line.
    • Following you.
    • The passage, as bent by night.
    • He lived as a woman.
    • We are led to where the buried heart stirs dust.
    • Lucky today.
    • Society of estranged lovers.
    • Young women sleep here.
    • Words are used for profit.
    • Base reality.
    • She steadies herself after a shock.
    • A’amiriya, it was morning.
    • Raw materials.
    • Perspectival experiment.
    • So and so street, at such and such a time.
    • The hand of a woman dressed as a man.
    • Explosion from the perspective of a bird.
    • Concealed wall texts.
    • Aesthetic theory.
    • Desire is a place name.
    • Word search.
    • The night and your withdrawal.
    • Body restless, climate a question.
    • Tactics of the observer.
    • Among them, young women dressed as men.
    • Measuring a grain of rice.
    • Harvest (cotton).
    • I slept in my master’s house (printmaking workshop).
    • Hand puppet.
    • Signs of conflict.
    • A hunger.
    • Reviving the unconscious body.
    • Desire is asymmetrical.
    • Here at the center of the universe.
    • A remarkable day.
    • Excavation today.
    • نصف و نصف
    • Bodies walk in opposite directions.
    • The mouth last seen.
    • Critique of poetic delay.
    • Posting on a bulletin board.
    • Table of contents.
    • News story.
    • The hungers of lovers.
    • Portrait of Gaza as a young girl.
    • Gaza in the context of photographic disintegration.
    • Endurance test.
    • Exhibitionist’s hunger satisfied by “senseless crime.”
    • The Six-Minus-Two Express.
    • Exhibition today.
    • Love inside the Ministry of Poverty.
    • Founding daughters.
    • Scale model.
    • View from the ground, and again while standing.
    • Future music.
    • Baghdad garden revisited.
    • Tired.
    • Girl seated on Iraqi textile.
    • Tired.
    • Things are out of place!
    • Signs of love.
    • Military state, military conscience.
    • The word and its meaning.
    • On the outskirts, a hidden pocket.
    • Young woman dressed as a man.
    • As promised.
    • Birth of the mouth.
    • Contemplation of Action.
    • Inside at the Woman Club.
    • Two happenings.
    • Urban desire.
    • Corporeal labyrinth.
    • The spectacle.
    • The audience.
    • It and I.
    • I am the muezzin.
    • Dance floor redux.
    • Friendship iconography: four friends.
    • Deceased again.
    • Sublime ahistorical experience.
    • Her housework, her cows, her dog.
    • march of the body
    • Incident in a date palm forest.
    • Pigment (recipe)
    • laser tattoo removal
    • Arab mirror.
    • The question lingers…
    • (a cough emits from the loudspeakers)
    • “Average 45 sticks”
    • Spontaneous dance in a Baghdad garden
    • Birds feed me the elements of intonation
    • Goat
    • Perspectival pyramid
    • One mocks you, the other weeps for you.
    • Four performances, performed vertically.
    • fastenings of a laborer
    • Long live the artists at three o’clock.
    • Comment trouvez-vous l’oeil de cette femme arabe!!
    • Portrait of a book
    • Occupied / Unoccupied
    • In order to draw light upon it.
    • Casualties.
    • I live between two shoulders.
    • At a very tame gathering of guests
    • Baghdad’s garden visited by New England
    • Experimental Workshop [flier]
    • Experimental Dance
    • Visual comparison
    • Retinal scans from the pre/occupied.
    • A lark’s view of West Baghdad
    • Subtitles for Stolen Pictures

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