rheim alkadhi | ريم القاضي

Inventory of Work 2007-2010

• She walked away.
• Disproportion is being built.
• Inner ear complex (with private chamber).
• Auto mechanic with car.
• The weather is ruined.
• The mud theatre.
• I don’t want to breathe.
• The project and the departure.
• Experimental observatory.
• Mosque architecture on forest outskirts.
• The forest.
• Introducing the undertaker.
• The back of the photo.
• Concrete road blocks.
• Tour of the camp.
• Woman in winter wetlands, Diwaniyah.
• Grid with line.
• Following you.
• The passage, as bent by night.
• He lived as a woman.
• We are led to where the buried heart stirs dust.
• Lucky today.
• Society of estranged lovers.
• Young women sleep here.
• Words are used for profit.
• Base reality.
• She steadies herself after a shock.
• A’amiriya, it was morning.
• Raw materials.
• Perspectival experiment.
• So and so street, at such and such a time.
• The hand of a woman dressed as a man.
• Explosion from the perspective of a bird.
• Concealed wall texts.
• Aesthetic theory.
• Desire is a place name.
• Word search.
• The night and your withdrawal.
• Body restless, climate a question.
• Tactics of the observer.
• Among them, young women dressed as men.
• Measuring a grain of rice.
• Harvest (cotton).
• I slept in my master’s house (printmaking workshop).
• Hand puppet.
• Signs of conflict.
• A hunger.
• Reviving the unconscious body.
• Desire is asymmetrical.
• Here at the center of the universe.
• A remarkable day.
• Excavation today.
• نصف و نصف
• Bodies walk in opposite directions.
• The mouth last seen.
• Critique of poetic delay.
• Posting on a bulletin board.
• Table of contents.
• News story.
• The hungers of lovers.
• Portrait of Gaza as a young girl.
• Gaza in the context of photographic disintegration.
• Endurance test.
• Exhibitionist’s hunger satisfied by “senseless crime.”
• The Six-Minus-Two Express.
• Exhibition today.
• Love inside the Ministry of Poverty.
• Founding daughters.
• Scale model.
• View from the ground, and again while standing.
• Future music.
• Baghdad garden revisited.
• Tired.
• Girl seated on Iraqi textile.
• Tired.
• Things are out of place!
• Signs of love.
• Military state, military conscience.
• The word and its meaning.
• On the outskirts, a hidden pocket.
• Young woman dressed as a man.
• As promised.
• Birth of the mouth.
• Contemplation of Action.
• Inside at the Woman Club.
• Two happenings.
• Urban desire.
• Corporeal labyrinth.
• The spectacle.
• The audience.
• It and I.
• I am the muezzin.
• Dance floor redux.
• Friendship iconography: four friends.
• Deceased again.
• Sublime ahistorical experience.
• Her housework, her cows, her dog.
• march of the body
• Incident in a date palm forest.
• Pigment (recipe)
• laser tattoo removal
• Arab mirror.
• The question lingers…
• (a cough emits from the loudspeakers)
• “Average 45 sticks”
• Spontaneous dance in a Baghdad garden
• Birds feed me the elements of intonation
• Goat
• Perspectival pyramid
• One mocks you, the other weeps for you.
• Four performances, performed vertically.
• fastenings of a laborer
• Long live the artists at three o’clock.
• Comment trouvez-vous l’oeil de cette femme arabe!!
• Portrait of a book
• Occupied / Unoccupied
• In order to draw light upon it.
• Casualties.
• I live between two shoulders.
• At a very tame gathering of guests
• Baghdad’s garden visited by New England
• Experimental Workshop [flier]
• Experimental Dance
• Visual comparison
• Retinal scans from the pre/occupied.
• A lark’s view of West Baghdad
• Subtitles for Stolen Pictures